To be fair, the same can be said of other action cameras. The camera offers “EIS Priority in Low Light” so you can sacrifice sharpness in order to reduce motion blur, but ultimately high frame rates indoors aren’t ideal and will produce noise. When it comes to video, the stabilization system is arguably the crucial factor, and in that regard DJI’s ‘RockSteady’ performs very well, either in standard or HorizonSteady modes. The aperture is fixed at ƒ/2.8 which means any subject beyond 300mm (12 inches) should be in focus. Stills photography is only 12 megapixels in a choice of Wide or Standard (Dwarp), but Raw files are an option as is manual control over exposure, either by choosing an EV target or explicitly setting shutter and ISO. (Image credit: Adam Juniper / Digital Camera World) DJI says the battery will operate down to -20˚C (-4˚F) and the Extreme Battery is supplied by default (GoPro’s Hero10 Enduro Battery is an optional extra and will operate down to -10˚C / 14˚F battery temperature).Īction 3 still photo in Wide or Standard (Dewarp). Perhaps more impressive than the extra minutes is the battery’s endurance in poor conditions. That comfortably eclipses the Action 2 and the GoPro Hero10 (opens in new tab). DJI say it can operate for as long as 160 minutes, and in our testing we got it to past 120 with the front screen on. More significant is the time the 1770mAh battery can offer and that is impressive. It’s hardly a serious complaint, but it seems inconsistent if you’re a regular DJI drone pilot. If you use the camera as a charger you get a pulsing LED which indicates charge in 4 stages, somewhat more like the smart batteries. If you’re used to DJI drones this isn’t quite the level of feedback you’re used to. Indicator LEDs show red when they’re dead, amber above 20% and green when they’re ready to go. We tested the Osmo Action 3 Adventure Combo, which included three of what DJI call the ‘Extreme Battery’ and a ‘Multifunctional Battery Case.’ The case is a charging hub, into which three of the batteries can be left to charge without swapping. We were able to say “Start Recording” successfully more than half the time, but we wouldn’t rely on it.ĭJI’s interface does a good job of keeping frequently needed operations like resolution and frame-rate switching within easy reach, but without depriving the user of Pro functions including D-Cinelike. Above the surface voice control is an option. What at first appears to be a power button DJI fashion as a ‘Quick Switch’ and a short press allows changing the mode, so the two keys together can be used to achieve main operations easily underwater. Here, though, is where the camera’s instant-on feature comes into its own the camera can power up and start shooting in the most recent mode using nothing more than the physical shutter button. The screens were responsive to wet hands, but we still found heavy rain made the screens a little less easy to operate. Where things start to get a little tricky is in the wet. The 320x320 front screen by necessity offers a cropped view that is nevertheless enormously helpful in framing up a to-camera piece for vlogging. The rear screen is 2.25-inch and 360圆40 pixels, in keeping with the 16:9 ratio of video. We found the sharp 326ppi screens to be a pleasure to use, as smooth as butter and very bright. The dual screens offer the same options presented to suit the display size.
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